URL for my HTML Haiku

http://fmundergrad.hunter.cuny.edu/~knudsens/

Animation

Turtle Power!!!

Blog 3: Production Notes

I really enjoyed working on our project where I interviewed Christine Kitson and then shot video of her and edited it all together to make one cohesive piece reflecting on her trials as a mishap prone child. My favorite part was the editing. I've used final cut before but never this in depth and I know the knowledge I've acquired is going to come in hand in my film making career. I wasn't necessarily pleased with the initial interview and maybe I would have done it over but there was a good reaction from the class to my audio so I'm happy with it. I don't think I suppose I'm a little more attentive to editing now when I watch a film. I think the project would benefit from our ability to film while we interviewed because its always nice to have a few shots of the actual interview. In a perfect world I would have really liked to get some of Chrisitnes home movies from when she was a kid but unfortunately it wasn't possible.

Childhood is Dangerous

Here is my completed project. Enjoy!

Blog Post #2: Sound-Image and Image-Image Relationships

For this blog assignment, I chose a clip from the film “The Science of Sleep” by Michel Gondry, in which the main character, Stephane, is dreaming. Sound plays a very important role throughout the film but particularly in this scene. As he falls asleep the music is lullaby-like and then switches to a fast punk rock when the dream takes an aggressive turn. One of my favorite things Gondry does in this moment is make dialogue unclear from the people other than Stephan. They merely mumble incoherently and even that is not exactly in synch with the image furthering the impression of being asleep. The images in this clip are unlike any other film, except maybe Gondry’s others. At almost all times we have an image within an image through the use of green screens and superimposition. We have a huge contrast of color when Stephan is dreaming, but also a big contrast in the kind of film used in foreground and background so even the contrast is contrasting. Gondry uses a handheld for most of the shots in the dream which makes it not only less organized but more personal. The cuts in the scene are pretty fast, as in a real dream one can never focus too long and the longest shot of the clip is in fast motion. As hard as it is too imagine with such a playful director as Gondry, his cuts are not so obvious. We are more into the scene than we are aware of his hand.

The Science of Sleep - Dream Sequence

Interview Audio, So far

Here is the link to my video on YouTube of my work so fatr with the interview.


Kristine Interview (Audio)

What I Hear

Walking in my neighborhood of Williamsburg, Brooklyn I can enjoy something not often associated with New York City, a relative quiet. But fall is here with a vengeance and the brisk wind rustles madly through the trees. I choose the more arborous blocks so that I can take this in for as long as possible, without any stopping, or doubling back because New York City is all about moving forward. Aside from traffic, including the too often occurring overly revved engine, the sound most predominant in this area is that of construction. Hammers and saws echo down every avenue, street and boulevard and whether this is the sound of gentrification or progress depends on whose ears they reach. I make my way past a barrage of one sided conversations as young and old hold invisible conversations while holding one ear. I step down into the subway and my ears are happy to hear an old friend. A man playing banjo croons a song perhaps more suited on a smoky mountaintop but I could never imagine it anywhere else but here, bouncing sadly off of the subterranean tile. An emotionless woman tells me that my train will be arriving in approximately four minutes. I have a hard time trusting her because I’ve been burned before. The train comes as promised, in a crescendo of screeching metal on metal. The cadence chucks towards us followed by a draft of ancient, trapped air. The train comes to a whining but sure stop and its doors open with a heavy thud of acceptance.