Saturday, November 5, 2011

Blog Post #2: Sound-Image and Image-Image Relationships

For this blog assignment, I chose a clip from the film “The Science of Sleep” by Michel Gondry, in which the main character, Stephane, is dreaming. Sound plays a very important role throughout the film but particularly in this scene. As he falls asleep the music is lullaby-like and then switches to a fast punk rock when the dream takes an aggressive turn. One of my favorite things Gondry does in this moment is make dialogue unclear from the people other than Stephan. They merely mumble incoherently and even that is not exactly in synch with the image furthering the impression of being asleep. The images in this clip are unlike any other film, except maybe Gondry’s others. At almost all times we have an image within an image through the use of green screens and superimposition. We have a huge contrast of color when Stephan is dreaming, but also a big contrast in the kind of film used in foreground and background so even the contrast is contrasting. Gondry uses a handheld for most of the shots in the dream which makes it not only less organized but more personal. The cuts in the scene are pretty fast, as in a real dream one can never focus too long and the longest shot of the clip is in fast motion. As hard as it is too imagine with such a playful director as Gondry, his cuts are not so obvious. We are more into the scene than we are aware of his hand.
The Science of Sleep - Dream Sequence

Saturday, October 1, 2011

Sunday, September 18, 2011

What I Hear

Walking in my neighborhood of Williamsburg, Brooklyn I can enjoy something not often associated with New York City, a relative quiet. But fall is here with a vengeance and the brisk wind rustles madly through the trees. I choose the more arborous blocks so that I can take this in for as long as possible, without any stopping, or doubling back because New York City is all about moving forward. Aside from traffic, including the too often occurring overly revved engine, the sound most predominant in this area is that of construction. Hammers and saws echo down every avenue, street and boulevard and whether this is the sound of gentrification or progress depends on whose ears they reach. I make my way past a barrage of one sided conversations as young and old hold invisible conversations while holding one ear. I step down into the subway and my ears are happy to hear an old friend. A man playing banjo croons a song perhaps more suited on a smoky mountaintop but I could never imagine it anywhere else but here, bouncing sadly off of the subterranean tile. An emotionless woman tells me that my train will be arriving in approximately four minutes. I have a hard time trusting her because I’ve been burned before. The train comes as promised, in a crescendo of screeching metal on metal. The cadence chucks towards us followed by a draft of ancient, trapped air. The train comes to a whining but sure stop and its doors open with a heavy thud of acceptance.

Thursday, April 14, 2011

The Museum of the Moving Image

I really enjoyed our trip to the museum of the modern image. The highlight for me was one of the first things we saw, the room that demonstrated how we perceive motion using a strobe light flashing on many different sculptures. The result was what looked like stop motion occurring right in front of you and that may have been one of the coolest things I have ever seen.
I participated in the flip book demonstration with two of my friends. We were told to move around in front of a white screen while a camera took a bunch of photos of us. We were later given a printout of those photos to make into a flip book. This demonstrates the illusion of motion when viewing a series of single images in rapid succession. Modern film still uses this same essential concept.
Seeing all of the different cameras lined up chronologically was great. Our guide explained to us how Technicolor worked which is by splitting the image with a prism and then exposing three different lines of film simultaneously, then dying those film strips.
There was an area showing how sound effects were implemented and I was laughing at the fact that the movie Titanic actually used an elephant for a falling smoke stack, something I probably never would have picked up on, which is why it’s so impressive.
All in all a great trip, I have since made plans with other friends to go back and take more time.

Thursday, March 17, 2011

Emissions Info Graph

The countries represented are USA, China, Russia, and India. I choose some of the basic ideas associated with them to question their seriousness about reducing emissions. I'm pretty sure Dev Patel is British..... Their is a Sausage on a bed or sauerkraut looking at them condescendingly, as Germany is probably the most advanced country in the way of emissions reform.